The Wish List Revisited

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In this previous post, I listed out fifteen theatre shows I wanted to see in 2019. Now that we are half way through the year, it seems a fitting time to revisit the list!

I should begin by saying, since writing that post, I have actually taken on a job working at a theatre and in doing so, have limited my availability to Wednesday matinees and Sunday shows. Not particularly helpful when trying to tick off a whole host of shows but needs must…

So, where am I at? Well as of July, I have managed to see two out of the fifteen. These being Waitress and Come From Away. I could’ve given you a review of each but I didn’t and since there has now been a cast change for the former, it would feel a little outdated to do so. But seeing as this is an update, I will give you a quick run down of both.

WAITRESS

After the controversy of the cast change announcement, I booked a rush ticket via TodayTix to see the original West End cast. I had high expectations for the show and for sure the cast delivered on this. The stars of the show were of course Katharine McPhee, Marisha Wallace and Laura Baldwin. Three powerhouse voices playing well developed characters. Being honest, I felt a little underwhelmed by the time the interval arrived. With all the buzz about the show prior to its arrival on British soil, I’d been expecting great things and I wasn’t entirely sure that the show was resonating with us in the way that it had appeared to do so across the pond. However, the second act came around and the audience really seemed to lift. A flawless rendition of She Used to Be Mine by Kat McPhee completely stole the show. it honestly hit me that I’d have been happy to pay for a ticket just to hear her rendition of that song. Incredible. It is no surprise to hear that she received a 4-minute standing ovation for this at her final performance. Would I recommend this show? Yes, if you are a theatre fan and have a spare £20-£30 to spend.

COME FROM AWAY

There really are no words for just how amazing this show is. It seems impossible to fathom that such comfort and happiness could be produced from such a devastating  event. I think this show works because it shares the very real stories of passengers, pilots and Newfoundlanders alike. The skill in which this show has to take you on a constant journey of such contrasting emotions is like nothing I have ever witnessed before. It is simply stunning. Personally, I find that there are usually one to two songs within every musical that I would skip on Spotify. Come From Away defies this. You know you have a new favourite show when you immediately open the soundtrack upon exiting the theatre. If you see one show on the West End this year, make it this one!

Having unfortunately missed a couple of shows from my Wish List, I seriously need to get my act together!! I’m thinking next week will be the turn of Joseph for nostalgia purposes only. I’m going to need some convincing on this reimagining starring Sheridan Smith but having grown up listening to casette recordings *yes I’m old* of this show, I can never turn down the chance to watch it. I’m also hearing amazing things about Jesus Christ Superstar at the Barbican so let’s officially add that to the list in place of Noughts & Crosses, Small Island and A German Life which have all now sadly closed.

Have you seen any shows lately? Anything you would recommend? Let me know!

Sophie

 

Caroline, or Change

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Having seen Company the previous night, I had everything crossed that Caroline,or Change would come through for me and it certainly did.

I knew two things going into the Playhouse Theatre.

1.) Graham Norton had tweeted:

screen shot 2019-01-11 at 20.26.21

2.) There was going to be a singing washing machine…

Now, in my mind a singing washing machine evoked an image of a person with a painted up cardboard box flung over their head. This was not to be the case (thankfully). The way in which inanimate objects are given life in this show is brilliant yet somewhat bonkers.

It would in fact be fair to say that the show itself is rather unusual in its choices. Think Mighty Boosh vibes. For me, the moon was the weirdest element of the show, I can’t pretend to understand the involvement of the character but I enjoyed her quirkiness and vocal abilities nonetheless.

It is these vocal abilities that make Caroline, or Change so utterly fantastic. The entire cast deliver flawless performances with voices so beautiful I only wish there was a cast recording. Caroline, played by Sharon D Clarke is mesmerising. Whilst she plays a character who at times should be considered unlikeable to the audience, Sharon overpowers this with her stunning, soulful voice.

Now could I tell you the exact details of the show? No. At times, I felt I had to really choose which character to listen to as I experienced somewhat of a sensory overload. I’m not ashamed to admit it took me a while to connect the dots and realise this is in fact a story about change *I know, the idiocy isn’t lost on me either*. Set in Louisiana in the year 1963 we see Caroline struggle with the repetitive work of a maid in a time of great change in the country around her. I found the moments shared on stage with her daughter Emmie to be particularly moving and impactful.

You may have noticed, I’m not keen to go into too much detail about the show itself because a.) if you’re reading this you probably already have Caroline, or Change on your radar and b.) I personally feel this is a show in which you should go in with little expectation or idea of what it will be.

Once you settle in and get over the initial hit of eccentricity, you find a heartfelt story of family and opportunity performed by some of the best talent I have ever witnessed. So we can skim over the random clarinet playing and singing moon for the sake of a vocal performance of a lifetime from Sharon D. Clarke and her cast.

Cheap Tickets For the West End!

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January in the West End means cheap tickets. There are very few opportunities to bag yourself a ten pound ticket to Phantom or Les Mis but when the country is low on money, the seats still want selling!

Mum and I always like to take advantage of the amazing discounts on offer via Official London Theatre. (I thoroughly recommend taking a look if you are at all interested as there are still plenty of tickets available running through February.)

This year we left it a little last minute and so, on a whim, we decided upon 3 shows. Having already seen several of the ‘big hitters’ including Kinky Boots and Lion King, we settled on Company, Caroline, or Change and Matilda.

Three very different shows with three very different, perhaps controversial, reviews to follow!!

The New Year sale isn’t just for Musical Theatre fans, there are several plays to choose from on the list including the utterly phenomenal Curious Incident Of The Dog In The Night-Time.  I was completely blown away by this show when I saw it a few weeks ago, from the staging to the acting, it was incredible. In fact so good that I feel it deserves a blog post all of its own!

There is a very outdated idea amongst many that theatre is overpriced and unreachable to the masses. This simply isn’t true. I found perspective in a recent trip to the cinema to the value of £18.25!! Obscene! Only justified by the fact that I was watching Mary Poppins Returns. In comparison, two decent seats in the Dress Circle for Caroline, or Change came to a total of £20.

I get it when people say that the theatre just isn’t for them, but I do believe that there is a show for everyone. A two hour experience in which that person finds some kind of connection. There is nothing like the post-show buzz that you just cannot get from a trip to your local Odeon.

If this post has inspired you to book a trip, a great site for good seats at affordable prices is todaytix.com. TodayTix offer daily lotteries to some of the biggest shows in the West End. I myself have been lucky enough to see Heathers, Everybody’s Talking About Jamie and Dreamgirls this way!

If you do decide to see a show, let me know, I always love hearing how different our experiences can be!